Ahuja alleges that through the character of Tom More, as depicted in Love in the Ruins, Percy 'displays an intuitive understanding of the diagnostic act as a form of therapy unto itself'. Ahuja asks whether similarly, the receipt of simulated personal clinical attention by an actor in an ASMR video might afford the listener and viewer some relief.
But it’s hard to follow hype. And though critics also loved Drenge’s 2015 followup, Undertow, they seemed to fall off my radar for a moment. In current music terms, four years is a long time away—which, of course, is hilarious, especially considering how much of that time they spent pouring their energy into touring. On Strange Creatures they’re more prone to flattening the reverby, more spaced-out vocals of Undertow, kicking the urgency back into their work. Now, their voices cut through more directly on tracks like opener “Bonfire for the City Boys” and as-yet unreleased track “Teenage Love.” They’re sounding both experimental and limbered up, ready to experiment—making a fake ASMR video shows, if nothing else, their playful streak.