Ahuja alleges that through the character of Tom More, as depicted in Love in the Ruins, Percy 'displays an intuitive understanding of the diagnostic act as a form of therapy unto itself'. Ahuja asks whether similarly, the receipt of simulated personal clinical attention by an actor in an ASMR video might afford the listener and viewer some relief.[21]
But it’s hard to follow hype. And though critics also loved Drenge’s 2015 followup, Undertow, they seemed to fall off my radar for a moment. In current music terms, four years is a long time away—which, of course, is hilarious, especially considering how much of that time they spent pouring their energy into touring. On Strange Creatures they’re more prone to flattening the reverby, more spaced-out vocals of Undertow, kicking the urgency back into their work. Now, their voices cut through more directly on tracks like opener “Bonfire for the City Boys” and as-yet unreleased track “Teenage Love.” They’re sounding both experimental and limbered up, ready to experiment—making a fake ASMR video shows, if nothing else, their playful streak.
While many colloquial and formal terms used and proposed between 2007 and 2010 included reference to orgasm, there was during that time a significant majority objection to its use among those active in online discussions, many of whom have continued to persist in differentiating the euphoric and relaxing nature of ASMR from sexual arousal.[citation needed] However, by 2015, a division had occurred within the ASMR community over the subject of sexual arousal, with some creating videos categorized as ASMRotica (ASMR erotica), which are deliberately designed to be sexually stimulating.[8][9]
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